Rafblog - Jake Cohen's Blog

On Switching from Windows to Mac

About two months ago, I made the switch at work from a Windows laptop, which I had used for 10 years at Amazon, to a Mac laptop.

The primary reason for this was the availability of first-class Unix-environment tools for working with and building my team's software product.

Now that I have gotten used to the new environment and worked out all the kinks of the transition, I have some observations on the relative pros and cons for my own use cases of Mac vs Windows.

The pros:

• Battery life - the Macbook will let me do work for at least six hours without plugging in, and I do not need to dim the screen or turn off Wi-Fi or anything. The four Windows laptops I have had over the past 10 years never did more than 3-4 hours without requiring an additional battery or extensive power saving measures like switching off Wi-Fi and dimming the screen to minimum level.
• Mission Control and multiple desktops. This is a really slick feature and I find it makes switching between applications faster than cycling with Alt-Tab or Windows-Tab on the PC.
• Unix environment - just for the heck of it, I wanted to see if Jenkins CI would run on my Macbook like it does on our Linux build servers. It does. I haven't really thought of a use case for this, but the fact that MacOS's Unix-compatibility is this good makes a lot of things really easy.
• The magnetic power adapter connector. It is such a good idea, the rest of the industry should be clamoring to license this. I'm surprised Apple doesn't even use it on more of their own products.

The cons:

• Microsoft's application suite is sub-par on the Mac. Excel is worse, Word is worse, and Outlook is much worse. If you want to run these apps well, you still have to boot a copy of Windows.
• No real docking station support. There are a number of dock-like devices out there, like Henge Dock and a few others, but these basically carefully replicate all of the connectors that would plug into the normal ports on the side of the Macbook, versus connecting to a purpose-built docking connector. You can create a more docklike experience if you have a later Macbook Pro with Retina display and can use the Thunderbolt port for display, USB, and Ethernet all at once.
• Dongle required for external display connection. This actually comes up as a negative issue less than I thought it would. On our team's projector we just keep it plugged into the VGA cable. People with Windows laptops (and VGA ports) just unconnect it first, then reconnect it after.

Overall I'm pretty happy with the switch. I could have a much longer "cons" list before that would change, simply because of the impact of the battery life and Unix environment.

Apart from the Microsoft app suite, most other things do not feel any different. I use Chrome for my browser, which feels identical. Android Studio feels the same. Spotify is the same.

Password security

There are many articles describing how to make a password more secure. They usually suggest using letters, symbols, and so on, to increase the complexity of the password, such as is the case with this article by Apartment Therapy.

There is also an argument that simply increasing the length is the best way to achieve password security, such as described in the vaunted 936th xkcd comic.

However, these techniques only increase the security of the password from an outsider's perspective by making it harder to guess. What about the security of the password when stored on the remote site? The best password in the world is no good if the site itself isn't secure, or if they store it in plain text somewhere.

One giveaway that a site probably stores your password in the clear is when they enforce a maximum length on the field. This probably indicates that they store passwords in a database column and the max password length is the size of that database column.

Secure sites don't store your password in the clear at all. Rather, they pass it through a one-way encryption algorithm such as SHA-1, and store the encrypted value. When you sign in with your password, the password you type is encrypted with the same algorithm and compared to the encrypted value.

To add security, these sites will often add a "salt" value to this algorithm, meaning that even if an attacker steals the encrypted passwords and manages to guess a value that encrypts to the same value as one of the stored passwords, it won't work because the stored passwords are created with a combination of the typed password and the salt value.

So it is useful to have a secure password, but keep in mind the security of the site you are using the password for. If they store passwords in the clear in a database, I wouldn't use that password for anything terribly important.

Movie Review: Burnt Offerings (1976)

(warning: contains spoilers)

Rating: 3 out of 5 stars.

Pro: extremely creepy, doesn't rely on cheap scares.

Con: paced quite slowly, characters don't evoke much empathy.

It was a bit hard to get into this movie for the first six minutes, due to the gargantuan credits that kept appearing over the film.

There is a lot of heavy foreshadowing that goes on in the opening dialogue, and there is a lot of dialogue. The first fifteen minutes of the film, in fact, seems to be little but introductory dialogue with a trio of characters that does not appear in the rest of the film.

The plot of this movie revolves around a dilapidated old house that renews and repairs itself whenever the new tenants get injured or harmed. The rejuvenation of the house is fairly subtle at first, a plant showing new growth, and a dead light bulb that suddenly works again, the cracked mirror that is now whole.

This movie seems to rely more on being creepy than on the gore and scare tactics of most horror films. The scene in the pool where the father snaps and suddenly starts trying to drown his son was one of the creepiest scenes I've seen in a horror movie. A customer review on Amazon.com from the book suggests that Stephen King took inspiration from this novel for The Shining. The pool scene and subsequent events involving the father make this connection quite clear.

As the movie progresses, the wife also begins to show signs of strain, and then it is not clear who is actually losing their mind and who is still sane. The husband sees visions of a creepy character from his mother's funeral, the wife appears to be becoming obsessed with the old house and the supposed elderly resident on the top floor who no one has seen.

It's never really explained why this ghost from the husband's past keeps appearing, but the wife's obsession is explained at the end, and makes a very creepy finale to a very creepy horror movie. If you like The Shining, The Skeleton Key, The Others, and movies like that, this one is right in that same vein and predates them all.

Movie Review: Are You Scared (2006)

(warning: contains spoilers)

Rating: 1.5 out of 5 stars.

Pro: mildly innovative new ways for people to die.

Con: inplausible plot elements and character behavior.

This movie seems like another Saw (2004) copycat. There is a evil madman with a distorted deep voice taunting his victims and giving them situations where they can presumably escape death by doing something horrifying to themselves. One of the first victims even has to retrieve a key from inside himself as indicated on an X-ray, which is a situation seemingly lifted verbatim from Saw II (2005).

However, I think the movie's real shortcoming is in its execution of this sort of plot. For example, in parallel with the story line following the six victims, there is a storyline of a "boy who cried wolf" cop who is trying to track down this serial killer, and the FBI agent sent to help him. This storyline seems to exist only to add length to the movie, as the cop's only contribution to the plot is to get himself killed immediately upon entering the warehouse to save the remaining victims, and the FBI agent's only role is to.. well, she actually doesn't do anything of consequence the entire movie.

Another bizarre plot shortcoming is the reveal about 9/10 of the way through the movie that one of the female victims and the villain have a history together where she had burned him and left him to die, and he intends to kill her and her mom in some sort of elaborate revenge. However, this serves only to create a very brief role for the victim's mom, as well as set up a short "oh he wasn't really dead" exit sequence at the end of the movie. No explanation was given for the villain's elaborate trap to torture and kill the other 5 victims. Nor does this tie in with the fact that apparently he has done this before, according to hints from the cop and FBI agent.

Lastly, the characters of the movie act in very implausible fashion. For example, one of the death scenarios is where the twin brother and sister are strapped into chairs with these conveyor-belt-mounted drills moving towards them. Each has a button they can use to stop their drill, but that causes their sibling's drill to start again. They are only being restrained by one handcuff and a collar around their neck. They could easily have destroyed the drill contraption with their feet.

Additionally, at the end, we discover (via a news report) that the villain did not, in fact, die in the fire that the last victim had set, but that the bodies of the other victims had all been found in the burned out room. It is pretty improbable that a severly burned villain would, after escaping into the sewers, manage to return to each victim's location, drag them into the burning room, and leave them there, all without the FBI agent noticing anything (she was apparently there all night until police arrived in the morning).

Overall, it was hard to get engaged in this movie and difficult to give it the credence needed for it to be even remotely scary.

Twitter: @jacobc

Welcome, new or prospective followers.

First, the brief autobiography: 31 years old. Married, with one son and a baby girl on the way. Software manager at Amazon.com. I've lived in the Pacific Northwest for 7 years, San Diego for 8 years before that, and I grew up in the San Francisco Bay Area.

My tweets are usually random jokes I think of when on the bus to or from work, or walking to lunch. They are usually pretty tongue-in-cheek, and often are puns.

Some random facts about me:

• I play bass guitar, and in college I was the bass player for an indie (pronounced "no one has heard of us") rock band called Bedroom Heroes. We named our band after the term "bedroom hero", which is a term that ironically means nearly the opposite of what it seems it means. You can find some of our songs by searching around on Google. It appears people actually use our songs as replacement tracks when Youtube takes down a video's audio track due to copyright infringement.
• I enjoy playing Words With Friends. Look me up! (username: jacobc79)
• I tend to learn things by diving in and doing them. For example, I taught myself French by picking some books I was familiar with (e.g. The Hobbit) and reading them in French (also listening to the Harry Potter audiobooks in French).

Thanks, and welcome.

Facebook Auto Opt-in for E-mail Notifications

Every time Facebook launches a new feature (such as Places, or Questions), they seem to add a few new categories for e-mail notification.

The problem with this is that these new notifications are always enabled by default, forcing me to go back to their settings page and uncheck a bunch of checkboxes again.

So, while I haven't been able to solve the problem of being opted in whenever they launch something new, I wrote a little bookmarklet to uncheck every checkbox on a web page. This is useful when dealing with the notifications settings page on Facebook which is starting to have many, many checkboxes.

Try it out: All Checks Off

(just drag this link to your bookmarks bar, or if you're using IE, right-click and save to your Favorites bar)

You can try it out here:

Resumes and Tools

Many resumes for technical positions tend to read like a list of all the tools a person knows how to use. I've already compared programmers to chefs. To illustrate what is so meaningless about this emphasis on tools, let's pretend that instead of a programming job, you're applying for a job building stuff in a workshop, and your resume looks like this:

2004 - 2006

Gilbert's Gadgets - Townville City, WA

Sr. Gadget Builder

Responsibilties included using hammers, wrenches, screwdrivers and pliers in a fast-paced environment.

• Used a hammer to drive several different types of nails.
• Participated in the use of a phillip's head screwdriver on the BigGadget project.

2001 - 2004

Wilbur's Widgets - Metropolis, WA

Gadget Builder

Responsibilities included investigating the use of saws, hammers, glue, sandpaper, and wood stain.

• Used glue on at least four different furniture projects.
• Cut wood for several projects using both power and manual saws. Responsible for keeping the saw sharp in between projects.

Skills:

• Hammers: ball peen and claw
• Wrenches: open and closed, familiar with both tightening and loosening
• Stanley-Certified Screwdriver Turner - 2007

Really, all the person reading the resume wants to see is what you actually built with your skills. Not how you used the tools.

Thoughts on Thoughts on Flash

This is a response to Steve Jobs' recent open letter to Adobe posted on the Apple web site.

In this letter, Mr. Jobs explains his (and Apple's) official position on why Flash is not, and will not be, available for the iPod, iPhone, and iPad.

I think he raises some valid points about the shortcomings of running Flash on mobile devices, such as lack of a "hover" interaction. However, many of his arguments against the use of Flash do not sound to me like valid justifications for preventing use of the platform entirely.

For example, take the following paragraph.

Adobe has repeatedly said that Apple mobile devices cannot access “the full web” because 75% of video on the web is in Flash. What they don’t say is that almost all this video is also available in a more modern format, H.264, and viewable on iPhones, iPods and iPads. YouTube, with an estimated 40% of the web’s video, shines in an app bundled on all Apple mobile devices, with the iPad offering perhaps the best YouTube discovery and viewing experience ever. Add to this video from Vimeo, Netflix, Facebook, ABC, CBS, CNN, MSNBC, Fox News, ESPN, NPR, Time, The New York Times, The Wall Street Journal, Sports Illustrated, People, National Geographic, and many, many others. iPhone, iPod and iPad users aren’t missing much video.

What is the problem with Flash, here? "Almost all" is not all, and I think he vastly overestimates how much of the internet's video is available in formats that will play on the iPhone.

The YouTube app that ships with the iPhone cannot decode all of the video that is available on YouTube. It does not take much probing to uncover the stark difference between the quantity and quality of videos available on the web versus on the iPhone app.

What about other important and popular video sources, such as Amazon Video on Demand, or Hulu? It is disingenuous of Apple to suggest that users will not miss videos from these sources because they are available to purchase through the iTunes store. I can play my Amazon videos on my Zune, my computer, my TV, and other devices as well. iTunes only allows this on Apple-approved devices such as the iPod and iPhone. My $99 Roku will play Netflix and Amazon Video on Demand movies, but not iTunes purchases.

I would go on, but I just discovered a response to Steve Jobs' letter by Jesse Warden which already says most of the points I was going to make, as well as many others, so I will just link to that instead.

Picasa Duplicates

I searched high and low for evidence that someone else out there had run into this particular problem, but I was unable to find anything. So I am writing this in the hopes that the next person who faces this particular problem will have an easier time.

I had just used Picasa to import about two thousand photos from memory cards onto my new Windows 7 computer. I then noticed that these files were stored in C:\Users\Jake\Pictures, not the "My Pictures" folder like I expected (On my system I set up "My Pictures" to be on a larger drive since my boot drive is a relatively small SSD). I changed the location in Picasa's settings, but this didn't move any of the files it had already imported.

I closed Picasa and copied the files to the My Pictures folder, then re-opened Picasa. Then I started to notice that every file now had a duplicate (both in Picasa and on disk). For whatever reason, Picasa created an extra copy of each file. For example, IMG_5435.JPG now had a twin, IMG_5435-1.JPG.

I searched high and low for an easy way to use Picasa to remove these duplicates. However, it does not appear that Picasa's search feature offers wildcard search. The way it handles characters like - and . and ? is a mystery to me. Searching for "1.jpg" will return results such as "IMG_3145.JPG".

So in the end I used Windows Explorer to find the duplicates, as it is happy to search for wildcards. Since all the duplicates ended in -1, I just searched for *-1.JPG and it showed the 1,982 duplicates. I then hit Ctrl-A to select all, and Del to delete them. Close and reopen Picasa, and boom. No more duplicates.

Product Registration

I have been trying out Ableton Live for the past few weeks, and last night decided to buy it. (I should write a separate article on the virtues of full-featured but time-limited demos). The product registration process for Ableton Live is very easy to use, and I think more commercial software vendors should adopt this process.

After making the purchase, you simply start up Live again, and instead of clicking the button to get a trial usage authorization for the demo, there's a link to the Ableton web page to authorize the product. Since I was still in the same browser session as when I just bought the product, I was still signed in and it was able to determine quickly that yes, I had in fact just paid for a copy of the product, and it gave me a link to use to authorize my copy of Ableton.

Clicking on this link took me to a file type that opens directly in Ableton Live (you know when you get that Save / Open with dialog when clicking a file - this one had pre-selected "Open with Ableton Live"). Opening the link authorized my copy of Live.

This was fast and easy. No need to wait for the box to arrive, no need to cut and paste auth codes or type in a lengthy CD key. They have found an easy way to link the fact that I paid for the software (their web site) with the software that is installed on my computer.